Frame structure: When framing a large lino print on 52gsm paper, a robust backing board needs to be used to prevent central bowing. We recommend 10mm white PVC board, such as Palight or Foamalite. The frame moudling I use is 34mm profile with an embossed black finish.
Archival Materials:The print should be mounted with archival acid-free materials. All adhesive tapes for attaching the print to the mount or PVC board must be acid-free and archival quality. The mountbaord surrounding the framed artworks on my wbeiste uses Chalk White Jumbo Conservation Mountboard.
Mounting options:
Glazing: For larger framed prints or artworks, acrylic glazing is generally the best choice. Acrylic is lighter, offers greater flexibility, and is far more impact-resistant than glass. A 3mm UV-protective acrylic sheet provides ample protection and durability.
Both glass and acrylic are available in non-reflective options, though non-reflective UV acrylic glazing is widely regarded as the premium choice. While it is significantly more expensive, the visual results are exceptional; virtually eliminating reflections and allowing the artwork to be viewed clearly from any angle.
This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.